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LEARN FROM MAESTRO ASSIGNMENTS

DRAWN WITH 2B LEAD FABER CASTELL GRAPHITE PENCIL FROM REMBRANDT'S WORK EXAMPLE.
WHAT I LEARN WAS SHADING TECHNIQUE, PROPORTION, THE ARTIST SKETCHING TECHNIQUE AND RENDERING SKILL























BRIDGING THE GAP

TEAMWORK PROJECT.
BUILD SOMETHING TO CONNECT THE GAP BETWEEEN TWO SITES WITHOUT TOUCHING THE MIDDLE PLAN WHICH IS SHOWN BY THE GREY BOARD IN THE PICTURE ABOVE.
MIX MEDIA : SKEWERS, RUBBER BAND, USING THE SAME REPETITION OF GEOMETRIC SHAPE.
I LEARN TO ACCEPT EACH OTHER IDEA NOT TO  REFUSE BUT COMBINE THE IDEA TOGETHER TO FORM A NEW STRONGER IDEA. TEAMWORK AND BALANCE ARE NEEDED IN THIS PROJECT.


LEARN FORM JAPANESE HOUSE ASSIGNMENTS

THIS SPLIT LEVEL JAPANESE HOUSE GIVE ME INSIGHT THAT A HOUSE STILL CAN BE BUILT ALTHOUGH LOCATED IN A LIMITED AREA. THE USE OF DIFFERENT LEVEL IN EVERY FLOOR MADE THE ROOM LOOKS MORE SPECIOUS AND BIGGER MEANWHILE STILL LOOK LIKE A NORMAL HEIGHT LEVEL HOUSE IN THE OUTSIDE.
WHAT I LEARNED FROM THIS PROJECT IS HOW TO CREATE PRESENTATION PANEL, THE USING GRIDS FOR THE PANEL, HOW TO WRITE AN ESSAY, IMPROVE THE DRAWING SKILL, ALSO TEAMWORK. 



DESIGN STUDIO 1 - TOURISM CENTER

STEPPING WOOD













STEPPING WOOD IS A TOURISM CENTER LOCATED AT SUAKA MARGASATWA PIK, JAKARTA. IT CONSISTS OF TWO OBSERVATION DECK, ONE COFFEE SHOP AND TWO ENTRANCE IS FOR CAFE SERVICE AREA AND THE SECOND IS FOR PUBLIC VISITOR.
THE FIRST OBSERVATION DECK HAS THE SAME HIGH LEVEL WITH SURROUNDING TREE TO OBSERVE THE PLANT AND ANIMAL. 
THE SECOND OBSERVATION DECK WHICH IS HIGHER THAN THE SURROUNDING TREE SO THAT THE VIEW WAS NOT BLOCKED BY THE TREE.
THE CAFE WAS DESIGNED FOR VISITOR TO ENJOY THE RIVER VIEW.

DESIGN STUDIO - GROWING HOUSE

THE CONNECTERE

THE CONCEPT COMES FROM THE CONNECTED SHAPES WITH TWO LEVEL FLOORS.
THE FIRST FLOOR IS FOR PUBLIC AREA, 
THE SECOND FLOOR FOR PRIVATE AREA WITH A GARAGE THAT CONNECTED TO THE FIRST FLOOR. 
THIS HOUSE USES A CROSS-VENTILATION WITH MANY WINDOWS, ONE SIDE OF THE ROOF FILLED WITH GLASS TO CATCH THE MORNING SUN.
THERE IS A FISH POND AT THE BACK. THE SECOND FLOOR HAS A KARAOKE PLUS THEATRE ROOM.


PHOTOGRAPHY - ARCHITECTURE FOR BROKEN HEART

I'M LOST


THIS PHOTO WAS TAKEN AROUND THE CENTRAL PARK MALL AND AT THE BRIDGE BETWEEN NEO SOHO AND CENTRAL PARK MALL.

THE IMPACT OF BROKEN HEART MADE PEOPLE SAD WHICH CAUSED LONG TERM DEPRESSION. IN THESE PHOTOS, WE CAN SEE THAT THE FIGURE IS HAVING DEEP BROKEN HEART BECAUSE OF LOSING SOMETHING VERY PRECIOUS IN HIS LIFE. HE IS LOOKING AT QUIET PLACE WHICH GIVES A RELAXING FEELS. 

IN ADDITION, HE IS WATCHING AT OLD FURNITURES WHICH MEANS HIS THOUGHT IS STILL IN MESSAND DUSTY HEART. WHEN WE LOOKED UP AND SEE THE PEAK OF THE BUILDING, THERE IS A LOST IMPRESSION WHICH TOO DIFFICULT TO REACH BACK. STANDING IN FRONT OF THE WINDOW WITH CRACK TECTURE ON THE WALL SHOWED HIS BROKEN HEART. AN EMPTY AND SAD HEART WAS DESCRIBED IN THE QUIET CORRIDOR PHOTO. 

WHEN PEOPLE FEEL LONELY THEY WILL READ A BOOK NEAR WINDOW THAT GIVES A RELAX FEELING FROM THE NATURAL LIGHT. SITTING ALONE ON THE STAIRS, THINKING WHAT HAS HAPPENED THEN WALKING AND LOOK OUTSIDE THE PARK TO FORGET THAT BITTER MEMORY. SOME GREEN COLOUR CAN REFRESH OUR MIND AND HEART. MEANWHILE, AFTER RECUPERATE, NEXT PLACE IS THE BRIDGE WITH CHOCOLATE WOOD TEXTURE FLOOR THAT MEANS WARM AND THE LIGHT ABOVE THAT DESCRIBED HIS HEART STARTS TO OPEN AND BEGIN TO LET GO WHAT HE HAD LOST. UP TO THE NEXT OPEN SPACE STILL WITH THE SAME WOOD TEXTURE FLOOR BUT WITH BRIGHTER LIGHT SHOWS THAT HE STILL WANTS TO BE ALONE BUT HAS ACCEPTED WHAT HAPPENED AND NOT WITH THE EMPTY HEART ANYMORE AS COMPARED TO THE FIRST TIME.


DESIGN STUDIO - COMMUNITY CENTER

SQUARPLE RPTRA


THE CONCEPT IS TO MOVE TOWARDS EFFECTISM AND CREATE FORMS AND STRUCTURES THAT AMPLIFY SIMPLE SQUARE SHAPES YET PLAYFUL AND FUNCTIONAL.
THE IDEA IS TO ACHIEVE COMPLEXITY PLAN THROUGH LAYERS OF SIMPLICITY.

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